播放地址
内容简述
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.
观众心声
题材大胆、现实立意深刻，抓住社会痛点，剧本扎实。潘礼德在影视创方面的确很厉害，希望海外动漫多来点这种影视剧，强烈安利大家这部《一切安好2022 》。
结局处理得干净利落，没有强行圆满。
特效场面震撼，绝对是视觉上的饕餮盛宴。
泪点低的朋友请备好纸巾，后半段哭到缺氧。
演员演技在线，把角色内心的挣扎诠释得淋漓尽致。
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